SubVersion Recommends Muttley - Burning For Love - Christmas 2013 Special
A Christmas present from me to you, to your friends too, covering what sounds really cool, and what puts a spark inside of you.
01. 00:00 John Davis - Palestrina (Ask The Dust LP, Students Of Decay, 2013)
02. 01:40 36 - Dangerous Days (Heather Spa EP, ASIP Places Series, 2013)
03. 04:00 Siavash Amini - A Mist Of Grey Light (Futuresequence Sequence 7, Bandcamp, 2013)
04. 07:33 Faures - Asthenospheric Movement III (Continental Drift LP, Home Normal, 2013)
05. 12:00 Fabio Orsi & Pimmon - Garnacha (Procrastination LP, Home Normal, 2013)
06. 16:00 Abandon - White Summer (Abandon LP, Bindsight Records, 2013)
07. 26:25 Goldfrapp - Stranger (Tales Of Us LP, Mute, 2013)
08. 29:15 Imbogodom - Summer Fungus (Metafather LP, Thrill Jockey, 2013)
09. 31:45 Foci's Left & Mike Twelve - In Our Lives, There Have Been Many Terrors (Life In A Less Southern Town LP, Omni Music, April 2014)
10. 35:20 Borealis - Jawberry (LGBT Rights For Russia Now! Compilation, Bandcamp, 2013)
11. 38:03 Atoms For Peace - Default (Amok LP, XL, 2013)
12. 41:45 Kapsil - Deliverance (Missing Link EP, Complex Logic, 2004)
13. 44:45 Total Science feat. Riya - See Your Face (See Your Face EP, Shogun Audio, 2013)
14. 50:22 Hakobune - The Length Of The Wind (Watching The Prescribed Burn LP, Pure Wave Recordings, 2013)
56:38 end
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Featured post
VIDA DE-sign by Michael Buckingham, aka Mick Muttley
Dear friends (yeah really, one of those) I have become a women's wear designer for VIDA! http://shopvida.com/collections/voices/ ...
Tuesday, 24 December 2013
SubVersion Stop 222: SubVersion Recommends - Burning For Love - Muttley - Christmas 2013 Special
Thursday, 19 December 2013
SubVersion Stop 221: Muttley's 20 favourite ambient albums of the year
In no particular order, my 20 favourite ambient releases I enjoyed listening to in 2013 - some new, some old:
01. Hakobune - Watching The Prescribed Burn
http://acloserlisten.com/2013/04/01/...escribed-burn/
02. Foci's Left - Grumpy Love
http://www.fluid-radio.co.uk/2013/09/focis-left/
03. ASC - Time Heals All
http://shop.silentseason.com/album/t...als-all-sscd14
04. Secret Pyramid - Movements Of Night
http://www.fluid-radio.co.uk/2013/10/secret-pyramid/
05. Slow Walkers (Grouper & Lawrence English) - Slow Walkers
http://boomkat.com/downloads/814173-...h-slow-walkers
06. Dirk Serries - Microphonics XXI-XXV
http://www.fluid-radio.co.uk/2013/11...onics-project/
07. Steve Roach - Soul Tones
http://www.ambientblog.net/blog/2013...lf-ultra-tribe
08. Futuresequence - Sequence 7
http://futuresequence.bandcamp.com/releases
09. EUS - Sol Levit
http://www.fluid-radio.co.uk/2013/10/eus/
10. Various Artists - Piano By The Sea
http://www.youtube.com/watch?v=EzvX2nz4zLQ
11. Ateleia - Formal Sleep (my favourite LP of all time, in any genre)
http://boomkat.com/cds/28386-ateleia-formal-sleep
12. Isnaj Dui - After The Flood
http://isnajdui.bandcamp.com/album/after-the-flood
13. Faures - Continental Drift
http://acloserlisten.com/2013/12/02/...inental-drift/
14. The Seaman And The Tattered Sail - Light Folds
http://www.fac-ture.co.uk/The-Seaman...il-Light-Folds
15. The Angling Loser - Author Of The Twilight
http://www.fluid-radio.co.uk/2013/10...-the-twilight/
16. Jon Hopkins - How I Live Now OST
http://www.justmusic.co.uk/store/TAO...y-jon-hopkins/
17. How To Disappear Completely - Still
http://astrangelyisolatedplace.com/2...pletely-still/
18. Stars Of The Lid - The Tired Sounds Of Stars Of The Lid
http://boomkat.com/downloads/167604-...ars-of-the-lid
19. Foci's Left & Geoff Brooks - Hypnosis Session 1: Dreams
http://focisleft.bandcamp.com/album/...-november-2013
20. 36 - Heather Spa
http://astrangelyisolatedplace.bandc...36-heather-spa
Check one, or two, or whatever :)
01. Hakobune - Watching The Prescribed Burn
http://acloserlisten.com/2013/04/01/...escribed-burn/
02. Foci's Left - Grumpy Love
http://www.fluid-radio.co.uk/2013/09/focis-left/
03. ASC - Time Heals All
http://shop.silentseason.com/album/t...als-all-sscd14
04. Secret Pyramid - Movements Of Night
http://www.fluid-radio.co.uk/2013/10/secret-pyramid/
05. Slow Walkers (Grouper & Lawrence English) - Slow Walkers
http://boomkat.com/downloads/814173-...h-slow-walkers
06. Dirk Serries - Microphonics XXI-XXV
http://www.fluid-radio.co.uk/2013/11...onics-project/
07. Steve Roach - Soul Tones
http://www.ambientblog.net/blog/2013...lf-ultra-tribe
08. Futuresequence - Sequence 7
http://futuresequence.bandcamp.com/releases
09. EUS - Sol Levit
http://www.fluid-radio.co.uk/2013/10/eus/
10. Various Artists - Piano By The Sea
http://www.youtube.com/watch?v=EzvX2nz4zLQ
11. Ateleia - Formal Sleep (my favourite LP of all time, in any genre)
http://boomkat.com/cds/28386-ateleia-formal-sleep
12. Isnaj Dui - After The Flood
http://isnajdui.bandcamp.com/album/after-the-flood
13. Faures - Continental Drift
http://acloserlisten.com/2013/12/02/...inental-drift/
14. The Seaman And The Tattered Sail - Light Folds
http://www.fac-ture.co.uk/The-Seaman...il-Light-Folds
15. The Angling Loser - Author Of The Twilight
http://www.fluid-radio.co.uk/2013/10...-the-twilight/
16. Jon Hopkins - How I Live Now OST
http://www.justmusic.co.uk/store/TAO...y-jon-hopkins/
17. How To Disappear Completely - Still
http://astrangelyisolatedplace.com/2...pletely-still/
18. Stars Of The Lid - The Tired Sounds Of Stars Of The Lid
http://boomkat.com/downloads/167604-...ars-of-the-lid
19. Foci's Left & Geoff Brooks - Hypnosis Session 1: Dreams
http://focisleft.bandcamp.com/album/...-november-2013
20. 36 - Heather Spa
http://astrangelyisolatedplace.bandc...36-heather-spa
Check one, or two, or whatever :)
Tuesday, 10 December 2013
SubVersion Stop 220: What 'legends' have you seen live?
This thread on SC was started 8 years ago in 2005, a year before I was even a member. Quite a testing approximation, what is considered a 'legend' by many or few. It sparked 3 pages of lists though on the forum over this duration.
Jake starts by explaining he saw James Brown live. "In December (2004) I got to see James Brown, and although the event was unquestionably a shadow of his former stage show, I still found it very entertaining. He had a couple of girls who looked like washed up early nineties porn stars or video extras dancing in hot pants with "JB" on their asses. The band was tight enough, but not old-school James Brown tight. He had a percussionist in addition to the drummer which was actually pretty cool. Mr Brown even did more dancing than I was expecting him to, being an old man. I had a huge grin on my face the whole time."
Nirvana, Dinosaur Jr and Lee Scratch Perry are three names that pop up in many people's submissions. Personally I've now added Squarepusher (2009), The Wailers [minus Marley, not my generation] (2010), DJ Shadow (2012). I haven't seen many people I would consider 'legends', probably in part due to the fact I dislike people being termed as such in general discourse. All the same, it's a thread with a plentitude of acts still kicking around some noise, noise that you might like to go and see with someone.
Jake starts by explaining he saw James Brown live. "In December (2004) I got to see James Brown, and although the event was unquestionably a shadow of his former stage show, I still found it very entertaining. He had a couple of girls who looked like washed up early nineties porn stars or video extras dancing in hot pants with "JB" on their asses. The band was tight enough, but not old-school James Brown tight. He had a percussionist in addition to the drummer which was actually pretty cool. Mr Brown even did more dancing than I was expecting him to, being an old man. I had a huge grin on my face the whole time."
Nirvana, Dinosaur Jr and Lee Scratch Perry are three names that pop up in many people's submissions. Personally I've now added Squarepusher (2009), The Wailers [minus Marley, not my generation] (2010), DJ Shadow (2012). I haven't seen many people I would consider 'legends', probably in part due to the fact I dislike people being termed as such in general discourse. All the same, it's a thread with a plentitude of acts still kicking around some noise, noise that you might like to go and see with someone.
Saturday, 7 December 2013
SubVersion Stop 219: SubVersion's End Of Year 2013 Charts - Open For Contribution Up To 29.12.13
Past Charts: 2011 & 2012:
http://subvertcentral.blogspot.com/2011/12/subversion-stop-148-subversions-end-of.html
http://subvertcentral.blogspot.com/2012/12/subversion-stop-167-subversions-end-of.html
SubVersion Contributors
Muttley
01. Favourite track: Foci's Left feat. Eschaton - Eternal Sands (The Shapeshifter's Reprise) (Omni Music). My favourite track I've completed, complete with a low boom bass sample from the excellent Eschaton. My favourite tune of 2013 besides my own Foci's Left productions is VUM - Laura Palmer . So graceful and emotive with a really trippy vibe that transforms your environment into a wonderland. Scope it from my Bandcamp collection: https://vummusic.bandcamp.com/album/...are-you-animal
02. Favourite album: EUS - Sol Levit (Contradicta). Closely followed by Goldfrapp's "Tales Of Us" - a real return to the form "Felt Mountain" showcased.
03. Favourite label: Time Released Sound. A favourite non-label would be declassifying valuable schizophrenics as violent offenders.
04. Favourite mixtape: 39 - MaudGlyph - LAST Jungletrain Session September 2013. A great female French DJ on the best Jungle radio station.
05. Favourite SC thread: So, DOA is D(OA). Instrumental into getting me into Drum & Bass and Jungle, whatever negative associations I grew to develop.
06. Favourite gig: Bat For Lashes + Nadine Shah @ Shepherd's Bush Empire, August 2013. An electric performance with great covers of Julie London's "Cry Me A River" and Fleetwood Mac's "Rhiannan".
07. Favourite book: Clarissa Pinkola Estes - Women Who Run With The Wolves (Ballantine, 1992 pbk). 8 years have passed and I still haven't finished it!
08. Favourite food (or Snax): Home cooking by my sister. Here's the recipe:
Lamb And Apricot Tagine
Preparation time 20 minutes (plus standing time) - (more like an hour she said). Cooking time 1 hour. Serves 8.
1 2/3 cups (250g) dried apricots
3/4 cup (180ml) orange juice
1/2 cup (125ml) boiling water
2 tablespoons olive oil
900g diced lamb
2 medium red capsicums (peppers) (400g), chopped coarsely
1 large brown onion (200g), chopped coarsely
2 medium kumara (sweet potatoe) (800g), chopped coarsely
3 cloves garlic, crushed
1 teaspoon ground cinnamon
2 teaspoons ground cumin
2 teaspoons ground coriander
1 cup (250ml) dry red wine
1 litre (4 cups) chicken stock
2 tablespoons honey
1 cup loosely packed fresh coriander leaves
3/4 cup (200g) low fat yoghurt (optional)
CITRUS COUSCOUS
1 litre (4 cups) water
4 cups (800g) couscous
1 tablespoon finely grated orange rind
2 teaspoons finely grated lemon rind
2 teaspoons finely grated lime rind
1. Combine apricots, juice and the water in a small bowl. Cover; stand 45 minutes.
2. Meanwhile, heat half the oil in large saucepan; cook lamb, in batches, until browned all over.
3. Heat remaining oil in same pan; cook capsicum, cook onion, kumara, garlic and ground spices, stirring, until onion softens and mixture is fragrant.
4. Return lamb to pan with undrained apricots, stock and honey; bring to a boil. Simmer, covered, about 50 minutes or until lamb is tender. Remove from heat; stir in fresh coriander.
5. Meanwhile, make citrus couscous.
6. Serve lamb and apricot tagine on citrus couscous; drizzle with yoghurt. CITRUS COUSCOUS Bring water to a boil in medium saucepan; stir in couscous and rinds. Remove from heat; stand, covered, about 5 minutes or until water is absorbed, fluffing with a fork occasionally.
Per serving 12.8g fat / 1837kJ (439 cal)
: dine :
Besides that: Mongolian Lamb with Egg Fried Rice +- extra chillies. A real kick in the tastebuds with the heat and spices; not even Indian food could touch it this year.
09. Favourite guilty pleasure: Receiving critical acclaim for my first album, "Grumpy Love" on Fluid Radio, plus good reception in Nightshift, Oxford's Music Magazine. I put so much work into it and for it to be well received by those who have listened is a great feeling.
10. Favourite random moment: Discovering Giesuppe Verdi's music on BBC Radio 3 while waiting at the shops, and hearing "Four Seasons" choral sections.
Statto
01. Favourite track: Omar Souleyman - Wenu Wenu
02. Favourite album: DJ Sprinkles - Queerifications & Ruins (Mule Music, Japan)
03. Favourite label: Fataka
04. Favourite mixtape: Biosphere - Secret Thirteen Mix 054
05. Favourite SC thread: "be more interesting please" – http://subvertcentral.com/forum/show...resting-please
06. Favourite gig: Consumer Electronics @ Rammel Club #46, March 9th
07. Favourite book: Julia Serano - Excluded (Seal Press)
08. Favourite food (or Snax): Border biscuits' dark chocolate gingers
09. Favourite guilty pleasure: too old to feel guilty about pleasure
10. Favourite random moment: nearly falling into Polperro harbour and then not doing
Guests
MetaLX
This should do it...
01. Favourite track:Dub It X Vol. 1 and 6.
02. Favourite album:Don’t know that I have a favourite album, but I will say I have a new favourite net radio station: DubXtra London.
03. Favourite label: Omni. One of the most prolific labels I’ve seen in a while.
04. Favourite mixtape: The Uncle Dugs Congo Natty – Rebel Mix and Omni Sessions Part I and IV
05. Favourite SC thread: “So subverts what have you been reading recently?” and “Be more interesting please” and this one! "SubVersion's End Of Year Charts"
06. Favourite gig: I went to a few gigs this year, and don’t have a favourite. Hmm.
07. Favourite book: I read 25 books this year. Top 5 are:
(1) Diamond, Jared. 2012. The World Until Yesterday: What Can We Learn From Traditional Societies? New York: Penguin.
(2) Bailyn, Bernard. 2012. The Barbarous Years: The Peopling of British North America: The Conflict of Civilizations, 1600 – 1675. New York: Knopf.
(3) Sandburg, Carl. 1993. Abraham Lincoln: The Prairie Years and The War Years One-Volume Edition. New York: Galahad Books.
(4) Jones, Dan. The Plantagenets: The Warrior Kings and Queens Who Made England. New York: Penguin.
(5) Thornton, Mark and Robert B. Ekelund Jr. 2004. Tariffs, Blockades, and Inflation: The Economics of the Civil War. Wilmington: SR Books.
08. Favourite food (or Snax): Nuclear Spaghetti. Made with brown noodles, Portuguese sausage and a special blend of insanely hot sauce and herbs, eaten with hard-boiled eggs.
09. Favourite guilty pleasure: Watching the show Moonshiners.
10. Favourite random moment: Five friends deciding to get on a plane and go on a day trip, epic day!
Daniel Crossley (www.fluid-radio.co.uk editor)
08. Favourite food (or Snax): "That is easy mate... pie and mash from Roman Road market "
Euphony
http://subvertcentral.blogspot.com/2011/12/subversion-stop-148-subversions-end-of.html
http://subvertcentral.blogspot.com/2012/12/subversion-stop-167-subversions-end-of.html
SubVersion Contributors
Muttley
01. Favourite track: Foci's Left feat. Eschaton - Eternal Sands (The Shapeshifter's Reprise) (Omni Music). My favourite track I've completed, complete with a low boom bass sample from the excellent Eschaton. My favourite tune of 2013 besides my own Foci's Left productions is VUM - Laura Palmer . So graceful and emotive with a really trippy vibe that transforms your environment into a wonderland. Scope it from my Bandcamp collection: https://vummusic.bandcamp.com/album/...are-you-animal
02. Favourite album: EUS - Sol Levit (Contradicta). Closely followed by Goldfrapp's "Tales Of Us" - a real return to the form "Felt Mountain" showcased.
03. Favourite label: Time Released Sound. A favourite non-label would be declassifying valuable schizophrenics as violent offenders.
04. Favourite mixtape: 39 - MaudGlyph - LAST Jungletrain Session September 2013. A great female French DJ on the best Jungle radio station.
05. Favourite SC thread: So, DOA is D(OA). Instrumental into getting me into Drum & Bass and Jungle, whatever negative associations I grew to develop.
06. Favourite gig: Bat For Lashes + Nadine Shah @ Shepherd's Bush Empire, August 2013. An electric performance with great covers of Julie London's "Cry Me A River" and Fleetwood Mac's "Rhiannan".
07. Favourite book: Clarissa Pinkola Estes - Women Who Run With The Wolves (Ballantine, 1992 pbk). 8 years have passed and I still haven't finished it!
08. Favourite food (or Snax): Home cooking by my sister. Here's the recipe:
Lamb And Apricot Tagine
Preparation time 20 minutes (plus standing time) - (more like an hour she said). Cooking time 1 hour. Serves 8.
1 2/3 cups (250g) dried apricots
3/4 cup (180ml) orange juice
1/2 cup (125ml) boiling water
2 tablespoons olive oil
900g diced lamb
2 medium red capsicums (peppers) (400g), chopped coarsely
1 large brown onion (200g), chopped coarsely
2 medium kumara (sweet potatoe) (800g), chopped coarsely
3 cloves garlic, crushed
1 teaspoon ground cinnamon
2 teaspoons ground cumin
2 teaspoons ground coriander
1 cup (250ml) dry red wine
1 litre (4 cups) chicken stock
2 tablespoons honey
1 cup loosely packed fresh coriander leaves
3/4 cup (200g) low fat yoghurt (optional)
CITRUS COUSCOUS
1 litre (4 cups) water
4 cups (800g) couscous
1 tablespoon finely grated orange rind
2 teaspoons finely grated lemon rind
2 teaspoons finely grated lime rind
1. Combine apricots, juice and the water in a small bowl. Cover; stand 45 minutes.
2. Meanwhile, heat half the oil in large saucepan; cook lamb, in batches, until browned all over.
3. Heat remaining oil in same pan; cook capsicum, cook onion, kumara, garlic and ground spices, stirring, until onion softens and mixture is fragrant.
4. Return lamb to pan with undrained apricots, stock and honey; bring to a boil. Simmer, covered, about 50 minutes or until lamb is tender. Remove from heat; stir in fresh coriander.
5. Meanwhile, make citrus couscous.
6. Serve lamb and apricot tagine on citrus couscous; drizzle with yoghurt. CITRUS COUSCOUS Bring water to a boil in medium saucepan; stir in couscous and rinds. Remove from heat; stand, covered, about 5 minutes or until water is absorbed, fluffing with a fork occasionally.
Per serving 12.8g fat / 1837kJ (439 cal)
: dine :
Besides that: Mongolian Lamb with Egg Fried Rice +- extra chillies. A real kick in the tastebuds with the heat and spices; not even Indian food could touch it this year.
09. Favourite guilty pleasure: Receiving critical acclaim for my first album, "Grumpy Love" on Fluid Radio, plus good reception in Nightshift, Oxford's Music Magazine. I put so much work into it and for it to be well received by those who have listened is a great feeling.
10. Favourite random moment: Discovering Giesuppe Verdi's music on BBC Radio 3 while waiting at the shops, and hearing "Four Seasons" choral sections.
Statto
01. Favourite track: Omar Souleyman - Wenu Wenu
02. Favourite album: DJ Sprinkles - Queerifications & Ruins (Mule Music, Japan)
03. Favourite label: Fataka
04. Favourite mixtape: Biosphere - Secret Thirteen Mix 054
05. Favourite SC thread: "be more interesting please" – http://subvertcentral.com/forum/show...resting-please
06. Favourite gig: Consumer Electronics @ Rammel Club #46, March 9th
07. Favourite book: Julia Serano - Excluded (Seal Press)
08. Favourite food (or Snax): Border biscuits' dark chocolate gingers
09. Favourite guilty pleasure: too old to feel guilty about pleasure
10. Favourite random moment: nearly falling into Polperro harbour and then not doing
Guests
MetaLX
This should do it...
01. Favourite track:Dub It X Vol. 1 and 6.
02. Favourite album:Don’t know that I have a favourite album, but I will say I have a new favourite net radio station: DubXtra London.
03. Favourite label: Omni. One of the most prolific labels I’ve seen in a while.
04. Favourite mixtape: The Uncle Dugs Congo Natty – Rebel Mix and Omni Sessions Part I and IV
05. Favourite SC thread: “So subverts what have you been reading recently?” and “Be more interesting please” and this one! "SubVersion's End Of Year Charts"
06. Favourite gig: I went to a few gigs this year, and don’t have a favourite. Hmm.
07. Favourite book: I read 25 books this year. Top 5 are:
(1) Diamond, Jared. 2012. The World Until Yesterday: What Can We Learn From Traditional Societies? New York: Penguin.
(2) Bailyn, Bernard. 2012. The Barbarous Years: The Peopling of British North America: The Conflict of Civilizations, 1600 – 1675. New York: Knopf.
(3) Sandburg, Carl. 1993. Abraham Lincoln: The Prairie Years and The War Years One-Volume Edition. New York: Galahad Books.
(4) Jones, Dan. The Plantagenets: The Warrior Kings and Queens Who Made England. New York: Penguin.
(5) Thornton, Mark and Robert B. Ekelund Jr. 2004. Tariffs, Blockades, and Inflation: The Economics of the Civil War. Wilmington: SR Books.
08. Favourite food (or Snax): Nuclear Spaghetti. Made with brown noodles, Portuguese sausage and a special blend of insanely hot sauce and herbs, eaten with hard-boiled eggs.
09. Favourite guilty pleasure: Watching the show Moonshiners.
10. Favourite random moment: Five friends deciding to get on a plane and go on a day trip, epic day!
Daniel Crossley (www.fluid-radio.co.uk editor)
08. Favourite food (or Snax): "That is easy mate... pie and mash from Roman Road market "
Euphony
01. Favourite track: Favourite of my own is either Pleaides
or Cepheus. From other artists it gets more difficult as there’s so
much good stuff I’m sent. I’m currently digging Scale – Drummin’ Till
Dawn and on a more mellow tip probably ...Erm, actually it’s impossible to answer as it changes week by week, so
I’ll just say I’ve been loving tunes by these guys this year: Infest,
Cryogenics, Nic TVG, Okee, Limit and Asymmetric, Scale, Aural Imbalance
and Indidjinous.
02. Favourite album: Ignoring anything from Omni, I would
say the Aural Imbalance – Legacy LP. Although I’ve been rocking to the
new Manix LP the last few weeks too
03. Favourite label: Umm…there’s a lot, but Subtle Audio
still hit the mark, but this year I’d possibly say OffWorld Recordings.
I’m also partial to a bit of Monochrome Recordings too.
04. Favourite mixtape: Yuambits excellent 2 hour mix of every
tune from Digitized Parts 1 and 2 really hit the spot for me. Excellent
mixing, well thought out structure, blinding overall. The tunes weren’t
bad either
05. Favourite SC Thread: SubVersion's End Of Year Charts - Open For Contribution up to 29.12.13
06. Favourite gig: I’ve been that busy with the label and
training this year (as well as recovering from injuries thanks to said
training) that I haven’t been to any gigs as such. I went to a few beer
festivals and ended up singing if they count?
07. Favourite book: Tryptamine Palace by James Oroc.
08. Favourite food (or Snax): Got to be Pizza
09. Favourite guilty pleasure: Being interviewed by K Mag
10. Favourite random moment: Having a few cheeky brews in the
afternoon in my local town and coming across the window cleaner who
cleans all the windows for businesses round the town and who calls
everyone Ken. No matter if they’re male or female, he calls them Ken.
He’ll also greet you when you walk by, by saying ‘Morning Ken’, even if
it’s the afternoon. I Struck up a conversation with him and he still
never let his guard down, and managed to call both me and my wife Ken
numerous times in the midst of his sentences
Morning Ken
Ask me again next week and I'll probably have an entirely different set of answers
Tuesday, 3 December 2013
SubVersion Stop 218: For The Ambient Lovers Reviews 021
FTAL021 - December 2013
Various Artists - Sequence 7
Futuresequence Bandcamp Free DL
"Beautiful" is an overused hyperbole-ace in internet journalism, but Michael Waring's Futuresequence 7 compilation demands it. I initially listened to the release in two blocks of 15 tracks each, and found this perfectly fitted pacing of the whole record. First emotional curveball "A Mist Of Grey Light" by Siavash Amini is rich in the textural hues of A Winged Victory Of The Sullen, but goes further than morose, tanning the flesh of 70s Western soundscapes in cinematic territory. Not just choosing a colour that suits your enivronment, then. Instead, Sequence 7 is chock-full of surprises, like the piano and string accompaniments of Good Weather For An Airstrike's "Tides", that flutters with a steadfast drive. Elsewhere, the emotive "Emori IV" by EUS perfectly compliments the sombre, leaf-treading nature of autumnal mystery that surrounds the release. Overall, it's a complete, recommendable package representing a chunk of new and upcoming artists on and off experimental music.
http://futuresequence.bandcamp.com/releases
Slow Walkers - Slow Walkers
Peak Oil LP / DL
As separate personas, Liz Harris and Lawrence English's music has never been confuted with misery. Instead, it relies on solemnity of delivery and patient investment. Their sound as Slow Walkers is permeated by a straddling of outlay with verging into the morose. Take "Wake", the paradoxically-to-title morbid album closer. In unhurried fashion, Harris and English stretch out swathes of guitar reverb into a dense drone. The pacing of the entire work is resolutely sluggish and positively transluscent, like a swan picking up bread from the lakeside but avoiding the hounds of attack that walk in these paths. Through an absence of foreseen optimism in sound, the duo bore holes in the well of ambient music's depth, with a shoegaze bent underpinning. This work never reaches beyond the pace of ice floe, and all the better for it; the transcendental introspection of these producers has yielded much great music over the last decade but in "Slow Walkers", Harris and English manage to convey an accurate biopic of their individual talents as songwriters, and most of all, musicians.
http://boomkat.com/downloads/814173-...h-slow-walkers
36 - Heather Spa
www.astrangelyisolatedplace.com EP DL
"Dangerous Days" comes close to the somnambulant swoon of Aphex Twin's classic "Rhubarb", while the leading title work is a lesson in restraint. "Heather Spa (Burning)" takes a more concentrated, concentric angle. Swirls of synth woozily lifts the listener. The speed is roughly 90 BPM, a rather uptempo slant on the preceding tracks. For the longest length of almost 16 minutes, this works suitably. 36 is no stranger to synth excursions where drones are lilting phrases, tugging at the attention span. His music reflects ambient's nature of relaxing its audience, but always keeping an undertow of mystery in the hold. His first release for the A Strangely Isolated Place blog, the "Places" series will soon see its first vinyl. If the quality is anything like these tracks, it'll be an essential purchase.
http://astrangelyisolatedplace.com/2...6-heather-spa/
Source:
http://subvertcentral.com/forum/showthread.php?56404-For-The-Ambient-Lovers-review-and-mixtape-archive-001/page9&highlight=ambient
Monday, 2 December 2013
SubVersion Stop 217: Nic TVG - Then I Disappear (Subtle Audio 2xLP / CD / DL) - review 3 for The Wire Magazine
Nic TVG - Then I Disappear - review 3 for The Wire Magazine
Subtle Audio 2xLP / CD / DL
The journalistic jungle revival of the last 6 months, from The Wire's Joe Muggs commenting on dBridge being from a genre long "declared moribund" (drum 'n' bass) by the mainstream music press, to Mixmag's "Jungle is back" article by Alex Jones, only goes so far in counter-measuring that these experimental fusions of breakbeats, sampledelia and Auxiliar-ite (see the Autonomic movement in 2008) genre-crossing never went away. Nic TVG, the Pinecone Moonshine label owner meanwhile has a dependency on drumfunk, one of the many subgenres of drum 'n' bass that combines funk, jazz, jungle and hiphop. Coined by Paradox circa 2004, "Then I Disappear", Nic's debut LP can be observed as a serving of semblance with all these genres and influences.
With "The Clown" a dedication to Charles Gayle's street jazz persona, the hoppy parallels with IDM of "Out Of No More" and the titular "Then I Disappear", Nic dose-drops us with his main surgically-annotated weapon: depth of drum work. Time-stretches on the opening piece "A Mouse Among Monsters" thuds like a polluted heartbeat in LSD-infusion with Autechre-ish synths and whirlwind rides. The pace is stripped back by noir-esque strings that accent on the synths later on, leading into "The Clown" and its nappy-clappy hi-hats and snares. It's the baby of the set, a naive walker stumbling on a jazzy modulated bass, only to be shot in half by filtered breakbeats that cut up the sound space like an angle grinder stuffed with jazz samples from the Davis/Hancock continuum.
Nic's persistent strength on this album, and indeed all of the Subtle Audio label's releases (The Wire's Simon Reynolds commented "original, exciting, inventive" to the CD that was sent to him on Blissblog in 2007) is that he just lets loose with whatever creative (and) percussive trajectory that appeals to him for writing. "Playing Drums As Pads" reverses the placement of drums in the mix in an ideological point of view, and it's little touches like these that keep the reader on their toes of his narrative with the jazz and funk greats of old. So though firmly rooted in breakbeat and drum 'n' bass / jungle BPMs, "Then I Disappear" is certainly not something straying from the systematic of adventure, no matter where he's gone after the 12 tracks have been handed over to Conor O' Dwyer (brother of Second Language's Aine O' Dwyer). And wherever the trail leads, the results are never less than excellent.
Mick Buckingham
Subtle Audio 2xLP / CD / DL
The journalistic jungle revival of the last 6 months, from The Wire's Joe Muggs commenting on dBridge being from a genre long "declared moribund" (drum 'n' bass) by the mainstream music press, to Mixmag's "Jungle is back" article by Alex Jones, only goes so far in counter-measuring that these experimental fusions of breakbeats, sampledelia and Auxiliar-ite (see the Autonomic movement in 2008) genre-crossing never went away. Nic TVG, the Pinecone Moonshine label owner meanwhile has a dependency on drumfunk, one of the many subgenres of drum 'n' bass that combines funk, jazz, jungle and hiphop. Coined by Paradox circa 2004, "Then I Disappear", Nic's debut LP can be observed as a serving of semblance with all these genres and influences.
With "The Clown" a dedication to Charles Gayle's street jazz persona, the hoppy parallels with IDM of "Out Of No More" and the titular "Then I Disappear", Nic dose-drops us with his main surgically-annotated weapon: depth of drum work. Time-stretches on the opening piece "A Mouse Among Monsters" thuds like a polluted heartbeat in LSD-infusion with Autechre-ish synths and whirlwind rides. The pace is stripped back by noir-esque strings that accent on the synths later on, leading into "The Clown" and its nappy-clappy hi-hats and snares. It's the baby of the set, a naive walker stumbling on a jazzy modulated bass, only to be shot in half by filtered breakbeats that cut up the sound space like an angle grinder stuffed with jazz samples from the Davis/Hancock continuum.
Nic's persistent strength on this album, and indeed all of the Subtle Audio label's releases (The Wire's Simon Reynolds commented "original, exciting, inventive" to the CD that was sent to him on Blissblog in 2007) is that he just lets loose with whatever creative (and) percussive trajectory that appeals to him for writing. "Playing Drums As Pads" reverses the placement of drums in the mix in an ideological point of view, and it's little touches like these that keep the reader on their toes of his narrative with the jazz and funk greats of old. So though firmly rooted in breakbeat and drum 'n' bass / jungle BPMs, "Then I Disappear" is certainly not something straying from the systematic of adventure, no matter where he's gone after the 12 tracks have been handed over to Conor O' Dwyer (brother of Second Language's Aine O' Dwyer). And wherever the trail leads, the results are never less than excellent.
Mick Buckingham
Labels:
Ambient. time stretch,
analysis,
article series,
critique,
Drum & Bass,
Electronica,
Jungle
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