SubVersion Stop 261: subversive titles in Oxfordshire

I have been doing a little disc-tribut-ion of material on disc at Rapture, Witney, hometown of David Cameron and less built up connector between where I live and Oxford city.

So far, the following artwork CD-Rs have been handed over:

1. Carbonara Porcupine EP (includes commissioned remix of Kid Moxie's "The Bailor").
2. Early Riser LP (vocal guitar and piano/synth/bongo half dozen instrument proper mastered disc).

And if I can get proper pass for my reinterpretations (total remix with lyrics from the original) of tracks on this new Internal Dialogue LP - but then this one would be a free giveaway disc in respect of the creators.

A fresh Foci's Left CD-R that I'd need proper copyrights checking to release. It won't happen overnight, but I can share the continuous improvised sounds LP for free on CD.

I find it interesting how larger companies are under such legislation that remixes and reinterpretations don't automatically pass clause 4.0 of copyright, which means when we hsve bought or interpreted music, it's the same as when we sell it. We are performing it, we are living and breathing it, spinning a new web from it, creating our own version, discomputing the score and starting afresh.

And at the same time, we are paying tribute to the creators of the very music that inspired us. It's a healthy relationship if machinery grants you easy access to copying and henceforth disctribution - if it doesn't, maybe things should stay that way.