SubVersion Stop 326: Wire Chart 2019

Somewhat belatedly, here's my seventh (2019) set of acquisitions, all according to the criterion “buying one record reviewed in The Wire each month” – plus three more to make up a proper Wire 15 chart. For reference, the previous six years’ were: 2013, 2014, 2015, 2016, 2017, and 2018.

The # marks denote the issues in which the records featured.
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SubVersion 2019 15

#419 Éliane Radigue - Oeuvres Électroniques (Ina-GRM)
#420 Black Thought - Streams of Thought Vols.1&2 (Human Re Sources)
#421 Alvin Lucier / Trevor Saint - Ricochet Lady (Black Truffle)
#422 Wendy Eisenberg - The Machinic Unconscious (Tzadik)
#423 Mopcut - Accelerated Frames of Reference (Trost)
#424 The London Sound Survey - Thames (Persistence of Sound)
#425 9T Antiope & Siavash Amini - Harmistice (Hallow Ground)
#426 K-X-P - IV (Svart)
#427 Olivier Messiaen / Linda Catlin Smith / Apartment House - Quatuor pour la fin du temps / Among the Tarnished Stars (Another Timbre)
#428 Haino / Merzbow / Pándi - Become the Discovered, Not the Discoverer (RareNoise)
#429 Zonal - Wrecked (Relapse)
#430 Eve Risser - Aprés un Rêve (Clean Feed)

+#420 Hedvig Mollestad Trio - Smells Funny (Rune Grammofon)
+#427 Pharmakon - Devour (Sacred Bones)
+#429 Morton Feldman / Philip Thomas - Piano (Another Timbre)

Compiled by Jonathan Tait, subvertcentral.blogspot.co.uk
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And my record of the year for 2019: Harmistice, which is available for streaming at The Wire website, or you can go and actually buy it via the Hallow Ground bandcamp. “A cross-continent project inspired by a nightmare” seems pretty damn appropriate for 2019.